"The Count of Luxembourg" is more of an operetta than a musical. Lehar's solid musical background (he studied at the Conservatory of Prague) entitles his works to more serious consideration than does the usual run of musical comedy.
This altogether delightful work is full of melody piquantly expressed and skilfully orchestrated and it is not surprising therefore that the Walmsley Operatic Society, who are presenting the show all this week in the school hall, concentrate on giving the music a good airing.
They are particularly fortunate in having as their lead players two actors with exceptionally good voices. Bill Dixon as the Count and Renee Cave as Angele Didier, the opera singer, are both dramatically powerful and musically outstanding. They are backed not only by some strong chorus work but by secondary players of talent. Among those who deserve special mention are David Brockbank as the Grand Duke, Philip Lloyd as Brissard and Glenys M. Poole as Juliette.
Walmsley productions are famous for their sumptuous scenery and costumes and this show is no exception. Particulary commendable is the speed and efficiency with which the scenes are changed.
David Tyldesley who directs, and Jessie Whittaker, as Musical Director, both have grounds for self-congratulation and there is a valedictory pat on the back for Lehar too.
This altogether delightful work is full of melody piquantly expressed and skilfully orchestrated and it is not surprising therefore that the Walmsley Operatic Society, who are presenting the show all this week in the school hall, concentrate on giving the music a good airing.
They are particularly fortunate in having as their lead players two actors with exceptionally good voices. Bill Dixon as the Count and Renee Cave as Angele Didier, the opera singer, are both dramatically powerful and musically outstanding. They are backed not only by some strong chorus work but by secondary players of talent. Among those who deserve special mention are David Brockbank as the Grand Duke, Philip Lloyd as Brissard and Glenys M. Poole as Juliette.
Walmsley productions are famous for their sumptuous scenery and costumes and this show is no exception. Particulary commendable is the speed and efficiency with which the scenes are changed.
David Tyldesley who directs, and Jessie Whittaker, as Musical Director, both have grounds for self-congratulation and there is a valedictory pat on the back for Lehar too.
Charles Petry