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Walmsley Church AODS
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Bitter Sweet
Sarah & Carl
Hansi, Freda, Gussi & Lotte
Footmen

Production Officials

Director

Audrey H. McL. Raistrick

Musical Director

Jessie Whittaker

Choreographer

Wendy Duckworth

Cast

Singer/Freda

Irene Bowers

Vincent Howard/ Cedric Ballantyne

Mike Taylor

Dolly Chamberlain

Shirley Greaves

Lord Henry Jekyll/ Vernon Craft

Andrew Turton

Marchioness of Shayne

Renee Easterbrook

Nita

Sharon Hounslea

Helen/ Mrs Devon

Hazel Gray

Jackie

Janice Warburton

Sarah Millick

Joyce Foster

Carl Linden

Ross Dunning

Mrs Millick

Claire Clarkson

Hon Hugh Devon

Graham Yardley

Lady Devon

Mary Greaves

Sir Arthur Fenchurch/ Herr Schlick

Ernest Pollitt

Victoria

Kathleen Holland

Harriet

Mary Pycroft

Honor

Heather Kirby

Jane

Dorothy Yardley

Effie

Helen Bennett

Gloria

Gillian Kirby

Lord Steere

Norman Bowers

Lord James

Keith Richardson

Lord Sorrel

Bill Steel

Mr Vale

Gary Hopkinson

Mr Bethel

Ivor Tavener

Mr Proutie

Adrian Pollitt

Stage Violinist

George Wood

Lotte

Betty Towler

Hansi

Margaret Steel

Gussi

Glenys Collinson

Manon

Glenys Poole

Captain August Lutte

Robin Foster

Lieutenant Tranisch

Alec Greaves

Marquis of Shayne

Jack Sutcliffe

Bertram Sellick

Colin Crompton

Henry Jade

Stanley Collinson

Dancers

Carole Brooks, Diane Ivill, Barbara Martin, Vanessa Ryder, Vicky Spencer, Ruth Wilcock

Company

David Raistrick, Norma Dootson, Catherine Dunning, Barbara Haslam, Norma Pollitt

Carl, Violinist & Sarah

Bolton Evening News

Noel Coward's "Bitter Sweet" has a rich vein of melody flowing through it, most of it, like the hit song "I'll See You Again" in three-four time. It's modelled on the Viennese operettas of Strauss, but with Coward's own beautiful bone-dry lyrics. Walmsley Church AODS is giving it a welcome revival this week, firmly direceted by Audrey H. McL. Raistrick and with good support from the musicians under Jessie Whittaker. Coward provides some memorable tunes, including "Zigeuner" and the regulation drinking song for the soldiers. But he's at his witty best when writing for the "outsiders", the shady ladies of the town and the effeminate fops of Vienna cafe society, revelling in the disapproval they provoke. The show has its own rompingly rude bunch of flappers, but concentrates for the most part on the vain, self-absorbed members of the aristocracy. At the centre of the show is the young pair of lovers, with soprano Joyce Foster singing attractively, and hinting at the girl's underlying wistfulness. She is well partnered by Ross Dunning, a conspicuously "nice guy" as the cafe pianist Carl Linden. Glenys Poole gives a good performance too as the cloche-hatted mantrap, Manon. Walmsley's production is at its best in the effective cabaret atmosphere of the second act, in which Coward obviously felt most at home. It's a rare revival of a large cast show which was first given a spectacular staging by C.B. Cochran in Manchester in 1929, the same that Walmsley performed its very first show. Ron Lawson

Sarah & Companyto5
Marchioness, Dolly, Vincent & Company
Photographs by John Tustin